He entered the city with blessings from learned teachers and their impressive wives, and with respects from his admirers.
O learned one, Kṛṣṇa went by the royal road and all the women of Dvārakā’s important families rushed up to their rooftops to enjoy the greatest festival: the opportunity to see him!
The Dvārakā-dwellers regularly saw him, but still their thirst to see the Infallible body – the wellspring of all beauty – just couldn’t be slaked.
His chest is the abode of Goddess Beauty.
His face is a full goblet for the eyes.
His arms protect the worlds.
His lotus-like feet delight his lovers.
Bursting to a new level of expressiveness, Sūta composes a verse perfectly suited to impress upon a mixed audience the delightful beauty of the All-Attractive. He says, “Many appreciate the beauty of Śrī, the Goddess of Fortune and Beauty. His chest is where she dwells! Others among you search for a goblet full of Soma, to enjoy like the gods themselves. There is a full pot of it for your eyes if you look upon his face! Still others among you serve the gods for various blessings and protections. All the gods get their strength from his arms! And the rest of you, oh wonderful souls, are purely in love with him like swans delighting among the lotuses that are his feet.”
On the road a shade-umbrella, fans, and showers of flowers kept him cool. As these surrounded his yellow clothes and flower necklaces it seemed like a thick cloud was surrounded by the sun, the half-moon, a rainbow, and lightning.
Kṛṣṇa’s brilliant black complexion is the thick cloud. His yellow clothes are the sun. The flowers falling like confetti all around him twinkle and sparkle like lightning. The umbrella above his head is like the half-moon. His multicolored flower necklaces are like rainbows. This is how I envision the analogy.
As soon as he entered his father’s house, his mothers embraced him. He very gladly bowed his head in respect to the seven headed by Devakī. Their breasts swelled and became wet out of affection for their son, who they sat upon their laps. Overwhelmed with delight, the tears from their eyes soaked him.
Kṛṣṇa’s father, Vasudeva, eventually had 18 wives [SB 10.84.47]. All of them embrace Kṛṣṇa as their son, and Kṛṣṇa embraces all of them as his mothers. Kṛṣṇa’s biological mother is Vasudeva’s principle wife: Devakī. She married Vasudeva along with her six sisters: Śāntidevā, Upadevā, Śrīdevā, Devarakṣitā, Sahadevā and Dhṛtadevā [SB 9.24.21-23]. These are the “seven headed by Devakī.”
Of the remaining eleven I am aware only of the names: Pauravī, Rohiṇī, Bhadrā, Madirā, Rocanā, and Ilā [SB 9.24.45].
To see even one ordinary Indian mother embrace her ordinary son warms the heart. Imagine eighteen divine mothers embracing their All-Attractive “child!” The scene evokes the indescribable heights of infinite motherly love.
Motherly love is more intimate than all the other types of affection we have seen thus far from the residents of Dvārakā. Therefore the setting is now indoors in private quarters. Now Sūta will continue to graduate us towards romantic affection, the most intimate and exalted form of divine love.